My practice moves between the sacred and the social. I create visual worlds that blend personal mythology with collective memory, allowing viewers to enter spaces where symbols and archetypes come alive. As a multidisciplinary artist, I work with painting, performance, puppet theatre, installation, and film—united by a single purpose: to illuminate what society leaves invisible.

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My paintings, particularly in the Tarot of Invisible Longing series, reinterpret classical archetypes through a poetic and feminine lens. They are emotionally charged landscapes where animal, human, and fantastical forms coexist in surreal harmony. I use layered watercolor, ink, tea, gold leaf and pastel techniques on paper, embracing its fragility as a metaphor for the human condition. Each work functions as a portal into another state of being.

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In parallel, I explore the quiet dignity and resilience of marginalized lives. Do Touch the Angels grew out of my time in a pediatric oncology ward, where I asked children—too weak to paint—to model for portraits. They honor vulnerability and celebrate transformation, framing illness as a space where magic and tragedy coexist. Projects like Invertebrates investigate the social invisibility of single mothers in Latvia, transforming silence and stigma into visual testimony.

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Creative collaboration is essential to my work. Whether performing with musicians in 1001 Hildegard or animating Latvia's tragic history in Pauline’s Story, I treat every medium as a spiritual and narrative extension. The theatrical elements—puppets, masks, marionettes—let me embody multiple identities while commenting on societal structures.

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I believe in art that engages with the subconscious and finds radical beauty in what is overlooked or broken. I invite viewers into mythic realms that question what it means to be human, to be forgotten, to be divine. Through dreamlike storytelling and symbolic density, I seek to build bridges between people, places, and possibilities.